Anna Uddenberg — White Noise (Human Resources)

‘White Noise (Human Resources)’ places the figure in a state of stylized surrender, slumped in a Herman Miller Aeron chair.

The gallery describes the chair as a former emblem of ergonomic progress that now acts as a prosthesis holding the figure in place. The figure grips the armrests with glossy acrylic nails and tucks her stockinged legs inward, heels extended.